Vincent Loves Lucy
It would've gone this way:
him taking her to his little
room at Arles,
after ditching Ricky in
Paris,
the Cuban left scratching
his head at the station,
trying to figure out which
train his dizzy
wife had boarded by mistake.
It would start out like a
dream,
guileless as the gleaners in
the fields:
Her speaking her cartoon French to make him laugh.
Him whispering that her
rosebud mouth
was the keyhole to unlocking them both.
But it wouldn't take long
for him
to start throwing the knives,
for the two of them to reach
combustion you might say,
what with all that flaming
improbable hair.
Picture the two of them:
so fair, sailing over wheat
colored grass, the lift of her
parasol, him
coaxing her up
like a kite in the wind,
onto the Langlois bridge's
delicate scaffolding.
Then all of a sudden
her
skirt gets caught,
the stubborn tilt of her hat
as she yanks and yanks,
the boats crowding in
unable
to go through
and Vincent making
no move
to help,
only trying to paint
her refusal, only blotting out
her
reflection with thick blue strokes.
Of course she'd spill
unwanted into every painting:
the orange doorways, the
frantic
slashes of sunlight, the crows
singing badly in the fields.
Alas, these brushes
with
immortality
don't last, no matter
how well imagined.
The whole thing,
for Lucy,
too much
like being locked inside
a steamer trunk, for Vincent,
a mouth
overfull of chocolates.
Before you know it, there's a
telegram
waiting for Ricky at the Hotel desk.
Help stop, it
says.
I tried to buy a painting stop
But the
guy misunderstood me stop
Can you and Fred and Ethel pick me up?